INSIDIOUS CHAPTER 2: SLOW,
FLAWED, INSIPID
Earlier this year moviegoers went screaming – some of them all the way back to church – after sitting through James Wan’s THE CONJURING. Though some parts of that movie were admittedly slow and at variance with the real-life (and much more frightening) experiences of the people involved, it delivered creepiness with a payoff and horror at the pitch of a sonic boom. Many of you may know then, that Wan is also the filmmaker responsible for the first INSIDIOUS (2011), an original, creep-inducing film where old horror tropes were reimagined in new and intriguing ways; in short, the first INSIDIOUS would have left moviegoers wanting more even if the sequel had not been set up by the ending. Enter INSIDIOUS CHAPTER 2.
I don’t know. Maybe being a paranormalist, someone with
personal experience of the reality of the impossible and familiar with the laws
of the supernatural realm (at least where that realm can be said to have laws), sets my “fright bar” rather
high. But in the case of James Wan, high
expectations are understandable: the first INSIDIOUS contained one of the creepiest scenes (that of a ghostly
woman crying in a corner) seen in the genre since the days when ambience and
effect actually counted for something; and THE CONJURING, once it got started,
was a non-stop fear fest. And it is
precisely because of these successes that INSIDIOUS CHAPTER 2 disappoints.
INSIDIOUS CHAPTER 2 is really just
more of INSIDIOUS. In fact, this second
installment often makes us feel as if we are viewing the outtake reel from the
first movie, with some new locations and a couple of new faces – alive and
dead. Following opening credits that are
mostly a visual rehash of pertinent parts of “the story thus far,” we are once
again introduced to the hapless Lambert family, parents Josh (Patrick Wilson)
and Renai (Rose Byrne) and their children, one of whom – Dalton, played by Ty
Simpkins – was the catalyst for the haunting activity in the first film. In CHAPTER 2 we are asked to assume that the
action has picked up almost exactly where the first film left off – which is
difficult because both Simpkins and his on-screen siblings have obviously matured
since 2011. Having reclaimed young
Dalton from the spiritual nowhere-land called “the Further,” and shocked by the
death of the medium who helped facilitate the boy’s rescue (Elise, played by
Lin Shaye) the family moves in with Josh’s mother, Lorraine (Barbara Hershey).
Grandma Lambert lives in a house
equally as creepy, and way more claustrophobic than the home where all the
Lamberts’ troubles began. As it happens,
this is also the place where, as a child, Josh had his own harrowing out-of-body experiences, and we quickly learn
how the memories of those experiences were suppressed in Josh’s memory. This is only the first of many flashbacks,
retellings, continuations, and contrivances that pass as this movie’s
complicated second act. One dead medium
(Shaye) is replaced by a new medium who is immediately endangered by a
possessed Josh Lambert (replacing his son in the realm of the Further) who also
poses a danger to his entire family while his wife is marginalized into being
the “reactor” to all the frights and his mother gets to do some truly exciting
ghost hunting outside of her crazy, stuffy Victorian house. Got that?
Yes, the zany ghosthunting team
is back and in fact, they get the most screen time in this film, along with
Grandma Lambert and the new medium.
Unfortunately, this team of investigators does nothing to further anyone’s
confidence in serious paranormal research as they bumble through grief over the
loss of their friend Elise, then raid her home, break into an abandoned hospital
and a derelict house, simultaneously juggle Class A tranquilizers, Hot Pockets,
and jelly donuts, and knock themselves unconscious: everybody say, “Aw, shucks!”
Just a day in the life of those crazy paranormalists! And we kind of retroactively start to really
like the dead medium after we see how cool her house was in life (why can’t the
whole movie take place there? oh, and look for hints of “Paranormal Activity”)
and once we realize that she’s the only one who’s going to help us ALL out of
this puzzle, and she’s DEAD.
Flawed, slow, insipid, even unnecessary
are good ways to describe INSIDIOUS CHAPTER 2, especially because
the entirety of the “new” story could have been told in an Unrated/Extended Cut
edition of the first INSIDIOUS.
"Oy! I get all dressed up - you think they'd use me more!"
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