TYPES OF DIVINATION

The invention of divination is ascribed by some ancient writers to Prometheus, by to the Phrygians or Etrurians; by Zoroaster, to Ahriman, the principle or angel of darkness and evil; and likewise by the holy fathers of the Christian church to the devil.

The following is a list of some of the principal ancient methods of divination, many of which are still familiar today.

ABACOMANCY:  Telling the future by the way patterns of dust are dispersed or layered, similar to reading tea leaves.

ACULTOMANCY:  Use of needles for divination.  The needles are placed in a shallow dish and covered slowly with water; their movement is then observed.  How they are crossed against each other is then interpreted.  For example, if one needle crosses two it reveals that an enemy is working against you.

AEROMANCY:  The art or science of divination by means of the air or winds; weather forecasting.

AILUROMANCY:  Divining using the actions and movements of cats.  A few examples are:  it is bad luck to carry a stray cat into a house; if a cat is cleaning itself against the grain, it indicates a coming rain shower; if a cat sits or sleeps with its back to the fire, it signifies a frost is coming.  These beliefs are consistent and widely dispersed.

ALECTOROMANCY, ALECTRYOMANCY:  A form of divination by recording the letters revealed as a cock eats kernels of corn that cover them.

ALEUROMANCY:  An old form of divination using meal or flour.  Derived from the Greek word aleuron, meaning flour, it involves looking at the patterns formed when flour and water are mixed, swirled, then the liquid dumped; similar to tea leaf readings.  A more common method, the precursor to Chinese fortune cookies, is to write a statement on a small slip of paper and roll it in a ball of flour paste and bake.

ALOMANCY:  A form of divination involving the use of salt.  Also, halomancy.

ALPHITOMANCY:  A form of divination involving the examination of barley.

AMBULOMANCY:  A form of divination involving walking in circles.  See also, gyromancy.

AMNIOMANCY:  A form of divination involving examination of the embryonic sac or amniotic fluid.

ANTHROCOMANCY:  The art of divination through the study of burning coals.

ANTHROPOMANCY:  A form of divination using the entrails of dead men.

ARITHMANCY:  See, numerology.

ARMOMANCY:  A form of divination involving the shoulders of animals.  See also, spatulamancy.

ASPIDOMANCY:  A form of divination involving examination of a shield.

ASTRAGALOMANCY:  A form of divination involving dice or knuckle-bones, in which letters are marked on the faces of the dice and the future is foretold from the words formed as the dice fall.  See also, cleromancy.

ASTROLOGY:  A form of divination involving the relative positions of heavenly bodies.

ASTROMANCY:  Divination by observation of the stars.  See also, sideromancy.

AUGURY:  The art of telling the future by means of signs, originally the flight of birds; divination.  An omen or potent from which the future is foretold. 

AUSTROMANCY: Divination by observing the winds, specifically the south wind.

AXINOMANCY:  A form of divination involving the use of an ax-head.

BELOMANCY:  Divination in which marks or words are placed on arrows which are then drawn from a quiver at random.

BIBLIOMANCY:  A form of divination using books or the Bible in which passages are chosen at random and the future foretold from them.

BOTANOMANCY:  A form of divination involving the examination of plants.

CAPNOMANCY:  A form of divination using smoke.

CARTOMANCY:  A form of divination involving playing cards or Tarot cards.

CATOPTROMANCY:  A form of divination involving a crystal ball or mirrors.

CEPHALOMANCY:  Divination by examining the shape and features of the head.

CERAUNOMANCY: Divination involving thunder or thunderbolts.

CEROMANCY:  A form of divination involving dropping melted wax into water and then examining the shapes.

CHALCOMANCY:  Divination through the use of brass vessels.

CHAOMANCY:  Divination involving aerial visions.

CHIROMANCY:  Palmistry.  Also called, cheiromancy.

CHRONOMANCY:  A divination to determine the precise time for action.

CLEIDOMANCY:  Divination involving a key or keys.

CLEROMANCY:  See, astragalomancy.

COSCINOMANCY:  A form of divination involving a sieve and shears.

CRITHOMANCY:  Divination involving the strewing of grain over the bodies of sacrificed animals.

CRYSTALLOMANCY:  Divination involving crystal-gazing.

CUBOMANCY:  A form of divination involving the use of thrown dice.

DACTYLIOMANCY:  Divination involving the use of finger rings.

DEMONOMANCY:  A form of divination involving a demon or demons.

EMPYROMANCY:  Divination involving fire and smoke.

ENOPTROMANCY:  A form of divination involving a mirror and its reflections.

EXTISPICY:  See, haruscpicy.

GASTROMANCY:  Divination involving listening to stomach sounds; also, divination by gazing into a crystal ball or a glass full of water.

GELOSCOPY, GELOTOSCOPY:  Divination that determines a person’s character or future from the way he or she laughs.

GENETHLIALOGY:  See, astrology.

GEOMANCY:  A form of divination that analyzes the pattern of a handful of earth thrown down at random or of dots made at random on paper.

GRAPHOLOGY:  Divination involving the analysis of handwriting; a technique of personality analysis involving the use of handwriting.  Also, graptomancy.

GRAPTOMANCY:  See, graphology

GYROMANCY:  A form of divination involving walking in a circle.  See also, ambulomancy.

HALOMANCY:  See, alomancy.

HARIOLATION:  The act or art of prognostication or divination; soothsaying.

HARUSPICY:  A form of divination from lightning and other natural phenomena, but especially from inspection of the entrails of animal sacrifices.

HEMATOMANCY:  Divination by means of blood.

HIEROMANCY:  Divination involving sacrificial remains or sacred objects.

HIPPOMANCY:  A form of divination involving the observation of horses, especially listening to their neighing.

HOROSCOPY:  The art of casting horoscopes or divinations based upon the relative positions of heavenly bodies; the position of the sun and stars at the time of a person’s birth.

HYDROMANCY:  A form of divination involving the observation of water or of other liquids.

ICHNOMANCY:  The analysis of the personality and appearance of people by studying their footprints.

ICTHYOMANY:  Divination involving the head or entrails of a fish.

IDOLOMANCY:  A form of divination involving idols.

LAMPADOMANCY:  A form of divination involving observation of the flame of a torch or lamp.

LECANOMANCY:  Divination involving the examination of water in a basin.

LITHOMANCY:  Divination involving rocks or stones.

LOGARITHMOMANCY:  A form of divination involving logarithms.

LOGOMANCY:  Divination involving the observation of words and discourse.

LYCHNOMANCY:  See, lampadomancy.

MANTICISM:  The art of divination and prophecy.

MANTOLOGY:  Obsolete.  The art of fortune-telling.

MARGARITOMANCY:  Divination involving the examination of pearls.

METEROMANCY:  Divination involving the observation of meteors.

METOPOMANCY:  Rare.  A form of divination involving examination of facial features.

MOLYBDOMANCY:  Rare.  Divination involving observation of the movements of molten lead.

MOROMANCY:  Divination that is flawed or foolish.

MYOMANCY:  Divination through the observation of the movements of mice.

NECROMANCY:  Divination accomplished through communication with the dead; the magic practiced by a witch or sorcerer.  Also, nigromancy.

NEPHELOGNOSY:  Divination by the observation of clouds.

NOMANCY:  A form of divination involving the examination of letters, possibly from a graphological point of view.  Also, onomancy.

NUMEROLOGY:  Divination involving numbers.

OENOMANCY:  A form of divination involving analysis of the colors and features of wine.

OMOPLATOSCOPY: Divination involving the examination of shoulder blades.  Also, spatulamancy.

OMPHALOMANCY:  A form of divination in which the number of knots in a newborn’s umbilical cord are counted to foretell the number of children the mother will have later.

ONEIROMANCY:  Divination involving the analysis of dreams.

ONOMANCY:  Divination involving the letters of a name.

ONYCHOMANCY:  A form of divination involving the examination of the fingernails.

OOMANCY:  Divination involving eggs.

OPHIOMANCY:  Divination involving snakes.

ORNITHOMANCY:  A form of divination involving the observation of birds, especially birds in flight.

OSTEOMANCY:  Divination by the examination of bones.

PALMISTRY:  Divination involving analysis of the features of the hand, especially of its various lines.

PEDOMANCY:  A form of divination involving the study of the soles of the feet.  Also called, podomancy.

PEGOMANCY:  Divination through the observation of springs or fountains.

PESSOMANCY:  A form of divination involving pebbles; the study of marks made on pebbles with are drawn at random from a container.  Also, psephology.

PHYLLOMANCY:  Divination through the examination of leaves.

PSEUDOMANCY:  Divination that is deliberately false or misleading.

PSYCHOMANCY:  See, necromancy.

PYROMANCY:  Divination involving fire or flames.

PYTHONISM:  Divination after the manner of Pythia, the Delphic priestess.

RHABDOMANCY:  Divination involving a rod or wand, especially to locate object or materials beneath the ground, as water or precious metals; dowsing.

RHAPSODOMANCY:  Divination involving written verses.

SCAPULOMANCY:  See, spatulamancy.

SCATOMANCY:  Divination involving the examination of excrement.

SCHEMATOMANCY:  Divination of a person’s future through observation of physical appearance.

SCIOMANCY:  Divination through observation of shadows.  See also, necromancy.

SCYPHOMANCY:  Divination involving the use of a cup.

SELENOMANCY:  Divination involving observation of the moon.

SIBYL:  In ancient Greece and Rome, a woman with oracular or prophetic powers, the most celebrated being that of Cumae and Delphi.

SIBYLLIST:  A believer in or follower of the sibyls; a believer in their prophecies.

SIDEROMANCY:  Chiefly, astromancy; also, a form of divination involving observation of the sparks, shapes formed, etc., when straws are burnt against a red-hot iron.

SORTILEGE:  Divination involving the drawing of lots.

SPASMATOMANCY:  A form of divination used to foretell disease by observing the spasms or twitching of the potential victim’s body.

SPATILOMANCY:  Divination through the observation of animal feces.

SPATULAMANCY:  A form of divination by means of an animal’s shoulder blade.  Also, aromancy, omoplatoscopy.

SPODOMANCY:  Divination through the use of ashes.

STERNOMANCY:  Divination involving the examination of the breastbone.

STICHOMANCY:  Divination involving lines of poetry or passages from books.

STIGNOMANCY:  A form of divination involving the examination of writing on or carving in the bark of a tree.

SYCOMANCY:  Divination involving figs or fig leaves.

TASSEOGRAPHY:  Divination through interpretation of the shapes made by used tea leaves.

TELEGNOSIS:  Clairvoyance or other occult or supernatural knowledge.

TEPHRAMANCY:  A form of divination involving the ashes remaining after a sacrifice.

THEOMANCY:  Divination involving the responses of oracles or soothsayers.

THERIOMANCY:  Divination involving wild beasts; observation of the movements of wild animals. 

TYROMANCY:  A form of divination involving the observation of cheese, especially as it coagulates.

UROMANCY:  Rare.  Divination through the observation of urine.

XYLOMANCY:  Divination involving pieces of wood.

ZOOMANCY:  Divination involving the observation of animals or their movements under particular circumstances.

Copyright (c) 2010-2015 by Alyne Pustanio and Creole Moon Publications.

Reproduction and/or dissemination of all or part of this article without the 

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Violators will be prosecuted.

The Conjuring: A Dread-filled Treat
for the Intelligent Horror Fan

"Fear sees, even when eyes are closed." - W. Gerard Trotman

I'm betting there are plenty of closed eyes in movie theatres across America tonight.  In some of those theatres medical personnel and even priests are standing by, because such is the nature of this particular little piece of movie-making that insubstantial feelings like fear, dread, and terror come unexpectedly, and very palpably, to life.  Say what else you will, "The Conjuring" certainly lives up to its hype.

 

I confess that I am a fan of horror films, especially horror films that deal with supernatural subjects.  However, as an occultist and paranormalist, my "bar" is set especially high; let's just say, it takes a lot to get my attention and even more to hold my interest.  Because of my avocations in the area of the inexplicable, and although I truly try to resist the temptation, I immediately set to dissecting what I am watching.  And although I like the B-horror movie premise as much as anyone who grew up steeped in American pop culture, I do believe that any film positing itself as dealing with major, profound, or deeply disturbing supernatural subject matter better be worth the money and the mental attention I'm putting up to experience it.  "The Conjuring" is all this, and more.

Opening the door to the Harrisville Haunting;

the cast of "The Conjuring" in a happier moment.

 

The plot of "The Conjuring" is culled from two sources:  one is the real-life experiences of a typical American family of the 1970's, the Perrons of Rhode Island, who move into a home that is nothing short of a bee's nest of dangerous supernatural activity; and the second source is the experiences had by paranormal researchers Ed and Lorraine Warren as they try to analyze the activity and help the family.  The Warrens, as any paranormalist worth his or her salt knows, are considered the "Godparents" of paranormal research, and as there has been no small amount of grousing about the role of the Warrens in the story told in "The Conjuring" we will deal with them at some length below.

 

The Perron family, fleeing a life in a suburbia that seemed to be devolving before their very eyes, and seeking a more wholesome place to raise their family, purchase some country acreage boasting a beautiful, rustic farmhouse, a ready-made barn, a babbling brook, and even an outhouse.  In the film, as well as in the real life experience, strange things begin to happen to the Perrons almost immediately.  Familiar tropes such as the family pet that refuses to enter the new homestead to the youngest child in the family suddenly gaining a brand-new invisible friend are introduced early; the latter, at least, is used successfully throughout the film.  Indeed, it is the Perron children - five girls ranging in age from 13 to 6 - who are the first to acknowledge the supernatural occurrences, and the first to be victimized by the entities in the home that clearly mean no one any good.

 

While the youngest Perron daughter, April (Kyla Deaver) is immediately befriended by an unseen little boy named "Rory," the next-eldest daughter Cindy (Mackenzie Foy) begins to exhibit the habit of sleepwalking; during her nocturnal forays, Cindy is inexplicably drawn to a creepy old armoire located in eldest daughter Andrea's (Shanley Caswell) bedroom.  Over several apparently random nights Andrea is awakened by Cindy who is standing before the antique armoire, banging her head against the doors.  As the atmosphere begins to change throughout the house, whisperings, knocking, unexplained footsteps and shuffling are experienced.  But it is the experience of daughter Christine, played by the amazingly gifted young actress Joey King, that introduces genuine, dread into the film. 

 

Up to this point the frights have been somewhat subdued and almost predictable, and even the catalyst of Christine's fright - something apparently standing in the shadows behind her bedroom door - might be considered lame.  Yet as we watch Christine's complete and utter immersion in fear, her implosion, if you will, into abject terror, we share every emotion with her and we know, just by looking into her eyes seeing something none of us can see, that absolute dread has quietly taken hold of our experience.  From this moment on, the fright takes on a life of its own; it is palpable and we might almost be able to touch it, if we were not hiding our eyes with our two shaking hands.  From this moment - and its effectiveness is due in no small part to the amazing ability of Ms. King to convey it to us - the dread never stops; relentlessly, in scene after scene, we are shocked and shaken, riveted to the screen until the final second.  This is the mark of excellent filmmaking meeting an excellent and talented cast.  Further, it is the hallmark of an amazing story, made all the more amazing because we know that it is real.

Lili Taylor and powerhouse actress Joey King

in a meltdown of fear, terror, and dread in "The Conjuring"

The man behind all this on-screen terror is director James Wan.  Many of you may remember him as the director of that other little piece of haunting supernatural terror, "Insidious" - a movie that had (at least up until I witnessed Joey King's meltdown) the most effecting and, for me at least, disturbing scene I had witnessed in a horror film in a long time.  Those of you who saw the film may remember when Patrick Wilson (who appears in "The Conjuring as Ed Warren) is lost in "The Further" and encounters a woman weeping in a room and only a shadow of a shape can be seen, cowering in a dark corner.  Everything NOT revealed in that melancholy and highly disturbing scene first marches across little Joey King's face and then presents itself in all its ghastly, hope-destroying dread in the exorcism scene at the climax of "The Conjuring."  Here, at least, any nit-picking of mine was brushed completely aside, and as the sights and sounds of a possession that puts little Regan McNeil of "The Exorcist" to shame seemed to fall out of the theatre screen like crushing brick walls, two things happened:  I made the Sign of the Cross, and I was momentarily struck with fear that something, surely something, might follow all of us home.

A possession scene that puts "The Exorcist" to shame

from "The Conjuring"

 

 

In short, anything that can cause that reaction in me, who has lived through demonic hauntings of my own, who writes "excellent stories about really horrible things," who knows her occult bearings and whereof she speaks when she says something is truly frightening - that, THAT is incredible!  You must see "The Conjuring" . . . !

Ed and Lorraine Warren

 

 



Now to the subject of the Warrens, about whom there has been much grousing from some quarters.

 

Anyone familiar with the ad campaign leading up to the release of "The Conjuring" will certainly have seen a creepy doll featured prominently and scenes showing Patrick Wilson and Vera Farmiga (as Ed and Lorraine Warren, respectively) lecturing college students on the subjects of the supernatural and paranormal investigation.  In fact, the doll, which is meant to portray "Annabelle," an infamously haunted Raggedy Ann doll that is still kept guarded under lock and key in the Warrens' museum of the supernatural, is integral to the first scenes of the movie.  It is the doll and immediately subsequently the Warrens whom we meet first, even before we are introduced to the Perron family.  Now this might strike some as odd, especially because the movie is ostensibly intended to be based upon the Perrons and their experiences.  But when one considers that literally for years the working title of the film was "The Warren Files," the technique of framing the beginning and end of what we see with the Warrens begins to make more sense.

 

Certainly, Ed and Lorraine Warren were deeply involved in the Perrons' story.  They did take on the Perrons' case, did conduct extensive investigations of the family and the property, and were involved in attempts to cleanse the house that may - or may not - have included a full-scale exorcism.  The movie presents this last as an absolute, something that actually did take place.  But what appears as drama differs somewhat from the facts of the story as related by Perron daughter Andrea in her trilogy of books, "House of Darkness, House of Light."  In fact, Andrea Perron is quick to point out that the Warrens' involvement quite definitely reshaped the nature of the hauntings in the Perron farmhouse, making the activity more negative and the spirits more threatening.  Perron traces this change in the course of events to a failed séance conducted by the Warrens in which, Perron alleges, a dangerously negative entity was set free inside the already crowded supernatural landscape of the home.  Further, according to Perron, the Warrens never successfully cleansed the home or rid the family of the spirits tormenting them. 

Andrea Perron, survivor of the Harrisville Haunting

and author of "House of Darkness, House of Light"

one of the sources used in "The Conjuring"

 

In the Warrens' defense, they were in the act of becoming pioneers in a field of research that, even in the 1970's when the Perrons were living their experience, was largely considered to be a sideshow of speculative science - if it was ever considered at all.  Unlike today with its oversaturated field of paranormal "experts" and "paranormal reality" television shows, the 1970's and to some extent the 1960's before it, was the time of those pioneers.  Where the 1960's saw a blossoming of renewed interest in magick and the occult (thanks in large part to the seminal work "Morning of the Magicians" and to a rediscovery of the works of Aleister Crowley), the 1970's saw a natural expansion of all that inwardly focused curiosity to the next logical step: the realm of the unseen and beyond.  It was in the 1970's that the Warrens were minted, along with Hans Holzer, Sybil Leek, Brad Steiger, and yes, even Satanist Anton LaVey as self-absorbed seekers peered into what lay beyond the scrying mirror or the edge of the circle of work.  In short, all that occult and drug experimentation produced a ton of bad vibes and bad trips.  The world needed someone to deal with it, and the Warrens were in the right place at the right moment.

 

Most of the antagonism now directed toward the Warrens seems to revolve around one case in particular: the Amityville Horror.  Owing in large part to the patent unbelievability of George and Kathy Lutz, who along with their kids were the alleged focus of the Amityville events, Ed and Lorraine Warren ended up being painted with a broad brush in a color just a shade lighter than "fraud."  That Ed maintained until his death a few years ago - as Lorraine maintains to this day - that the haunting in Amityville was very, very real only seems to annoy the grousers more.

But the Warrens' detractors are either ignorant of the occult and supernatural laws governing the manifestation of haunting activity in a given environment, or they are willfully ignoring certain details within the publicized details that support the Warrens' contentions that the Amityville house was, indeed still is, haunted.  For example, it is a well-known axiom in magickal workings that "like attracts like," and in the case of an alleged haunting the activity can be manifested to meet the expectations of those living in the environment or investigating the environment: a condition I like to call "bring your own ghost."  So it is not unreasonable that spirits connected with the investigators, over the years of being steeped in the energy of the investigators themselves and/or of the homeowners, will appear and act in a manner that meets the expectations of the humans involved. 

 

Further, specifically with regard to Amityville, the interest of George and Kathy Lutz in eastern meditative and mantric practices - particularly Transcendental Meditation, which they indulged in regularly, even while living at Amityville - was very probably directly related to the manifestation of negative entities in their environment, or at the very least exacerbated the hauntings.  TM and other mantric practices have been proven to produce supernatural occurrences in the practitioner's environment and regardless of the will of the individual involved; it has also been proven to be physically, mentally, and psychically detrimental to those engaged in the practice.  So, when Lorraine Warren says, "That house is haunted," about the Amityville house, I believe her because I am willing to give her credit for what she obviously does know and benefit of the doubt because I know something about the nature of hauntings.

 

Patrick Wilson as Ed Warren

 

Vera Farmiga as Lorraine Warren,

with Rory's music box

 

 

Most of the objections I have read or heard seem to be from those who doubt the veracity of the story of "The Conjuring" because the Warrens are in it and allege it to be "true."  But, in fact, it is Andrea Perron's story that is the basis for the "true" claim.  Anyone interested in reading the REAL story, which encompassed ten years in the life of the Perron family, should purchase Andrea Perron's books as soon as possible.  The books are filled with more information and more vividly frightening details than the movie could provide.  The real nightmares are living in the pages of those books and, of course, in the memories of those who lived through them.

 

 

"In the presence of the ... darkness and [dread], which might be concealed but a few paces away, he felt disarmed and helpless."  - Sienkiewicz.

 

WHAT:  "The Conjuring" (R)

 

WHEN:  Now playing.

 

WHERE:  Everywhere.

 

Follow this link for more about priests being posted at screenings of "The Conjuring":

 

http://www.heavy.com/entertainment/2013/07/video-the-conjuring-priest-theater-scary-warning/

 

 





 

FANGTASIA III COUNTDOWN SHOW HEATS THINGS UP FOR THE MAIN EVENT
 

Fans with fangs enjoying the Voltaire show in the Howlin' Wolf Den.
 

Vampire enthusiasts, pop culture and industrial fans, and Renaissance fest veterans packed the house at Howlin' Wolf's Den last night to kick-off the countdown to Fangtasia III.  The eclectic mix produced a lively and friendly crowd with several stand-outs including organizer Kurt Amacker and his wife Sabrina, the inimitable Lord Chaz, author Lewis Aleman, paranormal researcher Bernadine LeBlanc, photographer Becky Plexco, scene favorite Gina Valentine, and New Orleans' own Lisa Lansou.

 

Industrial performance artist Michael Gunn and Shrapnihil loosened everyone up with a European-style arthouse performance of beats and rhythms coupled with a fascinating mist and light show.  The audience was held transfixed throughout the set.

 

  

Dark cabaret star Aurelio Voltaire headlined the show.  Playing the guitar and accompanied only by a bottle of Captain Morgan rum, Voltaire performed fan favorites including "Death Death (Devil, Devil, Evil Evil)," "To the Bottom of the Sea," and "Don't Go By the River" which he dedicated to the "wicked" City of New Orleans.  Voltaire's performances thrive on audience interaction, and the Howlin' Wolf Den venue added to the intimacy especially when, several songs into the set, Voltaire appealed to a guy leaning against a wall to "flip that switch" because "ya'll can't see me!"  Sure enough, the spotlight that had been missing sprang to life.  This interactive rapport with his fans is obviously a big part of his appeal, to say nothing of the tricorn hat, frock coat, streaming dark hair and piercing eyes . . . 

 

 

 

This countdown event was a precursor, just a little something for fans to sink their fangs into while anticipating the main event.  Fangtasia III, featuring dark wave band Christian Death and industrial edge performance artist DJ Jyrki 69, will take place on July 20th with the venue being once again The Howlin' Wolf. 

 

 

An "anonymous" commentator wants you all to know that this is NOT

Michael Gunn (with Mohawk) enjoying Voltaire's set.

 

Gina Valentine (center) was on hand for the show.

 

 

Fangtasia event organizer, author and artist

Kurt Amacker, handling mc duties.

 

 

Lisa Lansou (yes, she's related to the witch)

taken by surprise!

 

 

Bernadine LeBlanc, founder of Louisiana State Paranormal

Research Society and one-half of Les Dames Sombres

du Paranormal, keeping her eye on the scene.

 

 

The author, Alyne Pustanio, enjoying

a rare night out.

 

 

For more information about the Fangtasia event visit

www.facebook.com/fangtasiaNOLA

 

For ticket information visit www.howlin-wolf.com